PAINT
POLICRONÍAS
Serie de pinturas que representan las infinitas yuxtaposiciones de capas de tiempo sucedidas en los espacios habitados, arrasados y de nuevo habitados, en un constante ciclo de uso y desuso, que termina por formar una trenza de pasado, presente y futuro, tan azarosa como surreal.
El espacio se presenta aquí más bien como un apelmazamiento, con apenas rastros de decisiones vitales o intervenciones arquitectónicas, en un sincretismo patético, compacto, que diluye el camino a lo que se entiende como lo prístino, nuevo y primigenio, reflejo final de lo que es la vida misma.
LEJOS
Esta es una serie de pintura sobre la instrospección, de un lugar que parece espejo de sí mismo, como un sueño recurrente donde todo es igual pero a la vez siempre distinto.
MEMORY PALACE
Approaching memory forces us to travel through multiple paths, sometimes intricate and unknown, or otherwise can take us back to common places where we will only find photographic snapshots with smiling faces that sharpen the illusion of preservation and control.
BINOMIOS
The beginning of thought is the opposition. An isolated signifier is a latent and passive force that is only activated with a second that enhances it. The bridge that is built between both poles will have as many shapes as there are observers. As many interpretations as readers. And as many experiences as viewers. These are areas for exploration of triggers.
DETONANTES
The first stage of creation arguably takes place in optical triggers. You also could use what is closer, from everyday as a primary source, always allows to open paths that lead to unsuspected places. In this case, the trigger is paper.